Album Review- Diamond Head: The Coffin Train

 

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When Diamond Head released their self titled comeback in 2016, it was a major success. Not only was the album received with praise, partially bringing the band back to their roots, but it also brought them back into relevance in the metal world. As soon as it hit, the band went on a massive touring spree where I was lucky to see them twice on. However, I was really curious about where they would go from here as their self titled really was homing in on the classic DH sound with some touches of progression here and there. “How could this sound eventually mature?” I really wondered. Well their next album entitled The Coffin Train is finally here to show exactly where they ended up.

The album opens thunderously with the furious banger “Belly Of The Beast” which is a logical continuation of the 2016 album. This song is a total callback to their NWOBHM heydays or at least Tatlers since he is the sole original member. Rasmus’ voice sounds honestly even better on this album overall and this song shows how much more comfortable he has gotten being the new and my personal favorite voice of the band. It is almost too strong of an opener with the band giving it all they’ve got. Up next is another heavy number entitled “The Messenger” with a nice build into a heavy main riff that really sets a good groove. The chorus on this song is also really catchy. The title track definitely shows the proggier elements the band hinted to on songs in the past with a build to an epic end that I really like. The next two tracks “Shades Of Black” and “The Sleeper” are structured in a similar way showing this more dark and almost grungier sound the band is going for akin to a band like Soundgarden. It almost is a 180 turnaround from the last release which may put some hardcore fans off. However it works in the bands favor as it doesn’t show them do the same album twice and keeps things fresh. Speaking of the track “The Sleeper”, it is definitely one of the highlights in the middle part of the album with a very nice structure containing this orchestral backing that really beefs up the sound. It eventually ends in an explosion of fiery fretwork by Mr. Tatler which never gets old. Up next is another callback tune entitled “Death By Design” and is another absolute banger with that catchy chorus as well as simpler yet always solid riffing. “Serrated Love” is next and gives us a little bit of more foot stomping hard rock that has a bit more of a modern sound to it but still works pretty well. Up next is “The Phoenix” which definitely is another hard hitter with some nice acoustics opening the song. I really like how this song chugs along with Rasmus having this almost distortion to his voice it really works for this heavy grooving tune. Finally we end with “Until We Burn” which is a softer tune but still definitely fits in with the overall more modernized darker sound on the album. It is a fitting end to the album and definitely has a good feel to it.

Overall, This album while not being a typical Diamond Head album, is still pretty damn good. The band adds a darker and more complex rhythm based formula here that I feel works for what they were going for. It has it’s moments that may remind fans of the classic “Lightning Of The Nations” sound but definitely an overall package you have to go into with more of an open mind. It is definitely heavy and shows a solid core of musicians writing a solid collection of songs that won’t leave my stereo anytime soon, but don’t expect a nostalgia ride, this is definitely Diamond Head on a different level and I really enjoy it. Highly recommended.

Album Review- Asomvel: World Shaker

 

 

Here is an album I have been anticipating for awhile. For those who are not familiar with Asomvel, they are a trio that are true to their roots as a straight to the point classic Heavy Metal group. Their sound is rooted mainly in Motorhead all the way to the distorted Rickenbacker bass lines and growling vocals. However, with their sound so reminiscent of classic acts, can they hold up on their own? Now the album “Knuckle Duster” they released some years ago was damn good and a very fun album but I felt the production was just a tad flat in parts and the vocals just felt a bit off to me as well. However, with “Worldshaker”, the band forges on with the Nephew of original front man Jay Jay Winter at the front of the band and this album I have to say is pretty damn fun.

Now what makes this album to me an improvement over “Knuckle Duster” is firstly that the production seems a bit more lively. The bass really takes over and but still meshes well with the guitar lines. Even thought the Motorhead sound is even heavier here, it still works as the song quality is very tight. We have break neck speed tunes such as the title track, “Runnin The Gauntlet” and “Every Dog Has It’s Day” to songs that are locked in solid grooves like “PayBack’s A Bitch”, “Reap The Whirlwind” and the generic but straight to the point titled “The Law Is The Law”. However, for me personally the best song here is “The Nightmare Ain’t Over” which is one of the catchiest tunes and ends the album with everything it’s got.

While this album is everything but original, it hits you square in the face with a solid selection of songs that are straight, simple hard rock n roll. Asomvel to me are very much how Airbourne are in the spirit of keeping that Hard Rock sound alive and this record definitely exemplifies that for showing that the old school still has a place in 2019. “Worldshaker” comes out May 3rd through Heavy Psych Sounds. Check it out!

 

Order the album: https://www.heavypsychsounds.com/shop.htm#HPS102

 

Bewitchers new 7′ single “Too Fast For The Flames” is a precursor for the hoards of chaos to come.

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Bewitcher, the satanic speed metal trio has returned with a teaser for their upcoming sophomore album “Under The Witching Cross” in the form of the single “Two Fast For The Flames”. One listen to this speed drenched neck breaker and I already knew that the upcoming album will be a real treat. The band still remain as heavy as ever with a production very similar to their debut but with a bit more of a raw feeling especially in the drums. The song is very simple but it is catchy as hell and picking up a copy also guarantees a nice kick ass bonus with the band covering the W.A.S.P tune “Show No Mercy” adding a nice blackened layer making this tune even more epic. Overall, this is a nice tease for the upcoming album and I recommend you check it out as soon as possible.

Order the single: https://www.indiemerchstore.com/item/68738

Pre Order the new album: https://www.indiemerchstore.com/item/71387

Film Review: The Strangers: Prey At Night

 

 

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Slashers in the modern era and mainly in the mainstream are very far and few in between compared to their heyday in the early to mid-1980’s. Now granted we do have some mainly from the indie market such as “Terrifier”, “The Barn” and others to satisfy our urge for the classic slashers we grew to love. However the more mainstream market besides the major hit with “Halloween” last year has not had a huge market for these films. But luckily we did get a major released slasher in the form of “The Strangers-Prey at Night” last year which is a sequel to the 2007 film “The Strangers”. Now I am a huge fan of the first film and how it managed to use a good deal of suspense and had a likable cast as well as killers that I always wanted to see more of. Well after a long, long time we finally get a sequel!

I will say right away I love this film. I was unfortunate to miss it in theaters but when I picked it up on blu ray, I was told to take it with a heavy grain of salt. I was essentially told over and over that the serious tone of the first film was pretty much butchered for a cut and paste type movie. However, I went into it with an open mind and just by going through the opening credits blasting “Kids In America”, I could already feel this was going to be a bit more of a tongue in cheek kind of movie….and I couldn’t be any more right. Where the first film was more of a 70’s-esque home invasion film, the sequel goes straight for the 80’s slasher formula which makes for a fun time. The characters while not as memorable do their parts very well and final girl Bailee Madison who plays “Kinsey” at first I was not fond of her character, it felt very forced. But after multiple watches she definitely fits the part and has some badass scenes towards the end. Her brother played by Lewis Pullman I really enjoyed and had probably the best scene in the film where he gets to fight back against two of the masked assailants gaining the upper hand on one only to be outed by the Man in the mask. It is a great scene filled with 80’s pop music blaring which almost adds the unsettling feeling to the whole situation. Now story wise it is pretty standard but it works. It follows a slightly dysfunctional family visiting an aunt and uncle at a trailer park during the off season which means no one’s there. Its spooky and creepy and essentially it’s a perfect place for our three slashers to be staking out and the family must fight for their survival cut print and on we go etc.. While the plot is bare bones, it is how the film is handled that works. With some great tense moments especially toward the end and the 80’s pop soundtrack it all works well to create a fun throwback film. There are also a lot of homages it seems to films like “Christine”, “The Texas Chainsaw Massacre” and every time I watch, it is more enjoyable to notice them more and more.

Overall, I feel this film is much more enjoyable than the first in sense of just being a fun slasher that doesn’t take itself too seriously. It feels slightly like Chainsaw part 2 in the sense of not trying to outdo the grittiness of the original but the take that world and make it a lot more fun which horror to me has always been about: a fun, blood splattered time. Highly Recommended!

 

Black Sabbath: Every album ranked

 

 

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Black Sabbath will always be known for being the “first ever Heavy Metal band”. Now whether that is true or not, it is certain that Sabbath are incredibly influential and their status cannot be ignored. For having a staggering 19 albums, I was always interested to see what differed between all of them and see if there was any that perhaps didn’t receive the respect I feel they deserved. This is pretty much when I decided to rank every Sabbath release based on my thoughts. Not popularity, sales charts or any of that. This is based on how I have felt about these albums when I listen to them and whether the content on each really hits me. So without further ado, here is every Black Sabbath album ranked in my opinion from last to first!

19.Never Say Die!

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Never Say Die! is the final Sabbath album of the 70’s and the last featuring the original lineup for a long long time. After listening to it again after awhile I see why I never really came back to this album. It feels like a very cloudy album that has a few good riffs and a good title track but the majority of the album is filler material that never really hits home.

18.13

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We fast forward to 2013 for (mostly) an original lineup reunion for the extremely anticipated 13. At first when I heard this album, I loved it and thought it was a terrific return to form but after a long period of not listening to this album, those thoughts have steered very much so. This album is pretty much as paint by numbers as possible especially with tracks like “End Of The Beginning” and “Loner”. The track “Damaged Soul” was pretty much the only song I felt was worth going back to mainly for the solo.

17.Technical Ecstasy

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Technical Ecstasy is definitely when Sabbath showed their more classic rock sound and spawned a few good tracks like “Rock N Roll Doctor” and “Dirty Women” but is bogged down by the potentially good but weak “Back Street Kids” and the Beatles sounding “It’s Alright”.

16.Cross Purposes

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Cross Purposes is one of the Darkest slabs of material in their whole discography. One of the last albums featuring Tony Martin, this album opens with a real ripper “I Witness” and other highlights include “Virtual Death” as well as others. Unfortunately the production is a bit stale compared to a few albums before.

15.Forbidden

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Ahh Forbidden, the album Sabbath fans love to hate. Honestly this album I could never understand why people hated it so much. While the material isn’t exactly as powerful sounding mostly throughout, there are some great cuts here like “Guilty as Hell”, “Get A Trip” and the insanely epic “Kiss Of Death”.

14.Paranoid

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Honestly who doesn’t know Paranoid? The album and the title track are so undeniably recognizable they have become etched in rock and metal history. However, this album for me is a classic case of being burned out. While I get a kick out of hearing live versions of “War Pigs” and “Fairies Wear Boots”, I am just utterly tired of the studio versions of these songs. I know some may call it utterly blasphemous to have this album lower than some others but after going through the next thirteen albums, I found things in those that I found really enjoyable more than “Paranoid” has become to me.

13.Seventh Star

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Even though this album is suppose to be Iommi’s solo output, it has the Sabbath name on it thus it is etched in the bands history. While the sound of this album steers way harder toward melodic 80’s Hard Rock, it has a lot of really catchy tunes and features none other than the man Glenn Hughes! Opening with the high energy “In For The Kill”, this album goes right for the throat and is a great time all around. From killer tunes like “Turn To Stone” and “Danger Zone”, this album is one of the definitions of misunderstood!

 

12.Black Sabbath

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The album that started it all truly. It was really a triumph in the small amount of the time the band had to record this album in how well it turned out for them. However, while songs “N.I.B” the title track and “The Wizard” are terrific songs, this album always felt a bit disjointed to me for some reason. Compared to other records at the time it also doesn’t hit me as hard considering I heard most of this album via greatest hits albums so when I first heard the full release when I was younger, I never got that wow feeling I feel a lot of others got.

11.TYR

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TYR was the third album to feature Tony Martin on vocals and was a great addition to the more epic style the band had achieved on Eternal Idol and Headless Cross. The album definitely has more of a concept record feel to it which I believe Iommi was going for at the time as well. The opening track “Anno Mundi” is an epic six minute opener with keyboard riffs and vocal harmonies galore. “The Law Maker” is a glorious ripper of a song as well.. Other key tracks include “The Sabbath Stones” and “Valhalla” but unfortunately some tracks feel very filler as well.

10.Eternal Idol

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This album marked a new era for the band with Martin taking over vocal duties after lineup changes shifted once again. This was a perfect introduction to his inclusion with terrific cuts such as “The Shining”, “Born To Lose” and the epic “Glory Ride” which is one of my top Sabbath tunes of all time. The only songs that feel filler are “Ancient Warrior” and the title track.

9.VOL.4

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Sabbath go from weed induced to cocaine induced for Vol. 4. One of their most popular records, Vol. 4 takes the heaviness of Master of Reality and adds a bit more of a prog feel to it. The result is partially mixed with classics like “SnowBlind” “Tomorrows Dreams” and the crushing “Under The Sun”, there are still certainly a lot of fillers such as the needless “FX” and “St. Vitus Dance” which always felt undeveloped as well. This album certainly has always been a tad mixed personally but the good songs are REALLY good when they want to be.

8.Sabotage

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Ozzy has never sounded so damn angry than this album. The band really go for an aggressive approach here and for what I felt was the last terrific Ozzy era album. From the terrific opener “Hole In The Sky” to the proto speed metal feel of “Symptom Of The Universe” to the epic “Megalomaniac”, this album is terrifically written. The only song that felt totally out of place for me was “Am I Going Insane?” which kind of derails the album near the end before “The Writ” picks things back up.

7.Headless Cross

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Easily the Martin era’s crowning achievement, Headless Cross I feel has always deserved so much more credit than it has ever received. From the title track that could rival the epicness of “Heaven and Hell” to songs like “When Death Calls” which features Brian May of Queen, to the epic fist pumping “Devil And Daughter” to the really catchy “Kill In The Spirit World” and pretty much every song on. The band truly were on a fantastic streak with this undiscovered classic.

6.Dehumanizer

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Dehumanizer is one of the more interesting Black Sabbath albums as it reunited the “Mob Rules” lineup with Dio back at the helm and pretty much revitalized Sabbaths popularity overnight. It didn’t last long as after this album we received more Martin sung material but holy hell the album we received here was magnificent. While definitely more doom oriented than the first two more NWOBHM inspired Dio albums, this album still has the riffs and magic in spades. With crushing opener “Computer God” to “After All/ The Dead” to my favorite “TV Crimes” and even tracks later in the album such as “I” and “Buried Alive, this was a terrific reunion album.

5.Sabbath Bloody Sabbath

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This is where 70’s Sabbath really came into the more creative songwriting and what a monolith of an album this is. Some of my favorites include the eternal ground shaking title track to the heavy and dark “National Acrobat” to the swaggering “Sabra Cadabra” and the almost hypnotizing “Who Are You”. However, the whole album is a great listening experience.

4.Heaven And Hell

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The first album Dio recorded with Black Sabbath and showed a shift in sound to straight forward Heavy Metal. This is the part in this list where every album here is pretty much flawless so I will keep it short by saying this album is one of the greatest comebacks for any band period.

3.Mob Rules

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Sabbath go for round two in the early eighties and come out with an album arguably heavier than the last. The style is similar to the first album but the production feels a bit more crisp and the bass oh the bass on this album is devilishly good. Top notch!

2.Master Of Reality

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This is the essential Ozzy era album as it pretty much defined the sound for what would become “Stoner Metal”. This was the most solid collection of songs the band had and was in my opinion miles ahead from the first two albums in terms of what the band was capable of in such a short amount of time. Plus we got “Into The Void” one of the heaviest songs to ever grace the earth and for that alone this album deserves to be this high.

1.Born Again

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And number one goes to Born Again! A controversial pick for sure but for me this is the heaviest yet catchiest Sabbath ever got. Featuring the one time gig for my all time favorite vocalist Ian Gillan, he lets out some of his most ear shattering and impressive vocal performances here more than anywhere else. Opening with the classic “Trashed” going into the very dark “Disturbing The Priest” paired with the epic “Zero The Hero” and into the last half of the album featuring some prime cuts like “Digital Bitch” and “Hot Line”, this album hits you in the face and never lets go. The production also never really bothered me in fact it always enhanced it for me for how just different it sounds I suppose. Especially when the solo’s hit it feels like such an assault with the guitars being super distorted it sounds like Iommi going straight for the throat. All this combined has made this my favorite Sabbath release in recent times to go back to over and over and I always have a good time doing it!

Album Review- Spillage: Blood Of Angels

 

 

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Spillage, Chicago’s hottest Doom Metal group at least in my eyes are finally back! Oh how I have been looking forward to this release ever since I heard the first album a few years ago. With their self titled debut filled with endless grooves, heavy as molasses riffs and memorable songs, their sophomore output had a lot to live up to for me. While I wanted the group to keep their core sound in tact, they needed to add to it in both production and musicianship. Now with a very stable lineup finally intact, Spillage have returned with “Blood Of Angels”!

Opening the album similarly as the first, is the title track with the Organs adding a more almost theatrical feel here with intense layering and atmosphere that really engulfs the listener. This track overall is a very mid-paced groove heavy track that pretty much just shows Spillage have returned and are slicker and heavier than ever. I know before I have stated how present a very almost Alice In Chains sound the band has and new vocalist Elvin Rodriguez has brought that sound even more with the grit and soul that adds more emotion to these songs and it really works. While the opener is a nice slab of Doom, the major highlight comes with the next one two punch of the tracks “Living In Hell” and “Free Man” barreling in one after another. Both tracks feature insanely infections riffs especially through the verses and speed up towards the end adding a real solid aggression with the band going into full jam mode. Especially with “Free Man”, their is definitely a progression in the songwriting here with the band going into more straight forward Heavy Metal territory and it works terrifically. Now the next song “Rough Grooved Surface” is the only song that is a bit of a let down for me. The lyrics basically an ode to vinyl are a bit cheesy and don’t fit a lot of the album and is a track that feels more I suppose gimmicky than the others. The album does pick back up with “Disappear” with a nice solid bass groove throughout and a killer intense mid section again. I also like the vocals on here they almost have a psychedelic feel. Evil Doers continues with the bands self proclaimed “Power Doom” sound with the vocals having some Gothic undertones to them and is another home run track. Eyes Of A Snake has a nice bluesy groove to it as well and sticks with the bands familiar formula and has some nice dueling riffs from Nick and Tony with synths backing them up. It shows how much more solid the band has become. Voice Of Reason is a nice dark ballad to round out the album with a solid brooding yet beautiful atmosphere and definitely shows of some seventies Scorpion influence as well. The other thing to note is there is a bonus track of the bands rendition of Black Sabbaths “Dirty Women” that while being a straight forward cover and not over-shining their rendition of “Devil Woman”, it is still a ripper and a nice little surprise at the end.

Overall, besides the minor grip I have with one track, the band are back in full force. You can really tell how Bruce Franklin of Trouble really cared for the production on this album with every instrument given room to breath on every track, showing the real rock solid chemistry behind this fine slab of “Power Doom”.

 

8.5/10

Top 20 releases of 2018

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Welcome back! Well after months on a hiatus I am finally bringing back Glistening Metal and I figured I’d come back with my favorite twenty albums of this year. As with the past few years we have had some terrific releases and I have gone over this list over and over in my head mainly because every release presented is great in their own right, it was just the matter of which ones connected with me more. So without further ado, lets get into my top twenty releases of 2018.

20. Lizzy Borden- My Midnight Things

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19.Tank- Sturmpanzer

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18.Red Dragon Cartel- Patina

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17.Salems Lott-Mask Of Mortality

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16.Nazareth- Tattooed On My Brain

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15.Substratum-Permission To Rock

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14.Sacred Leather- Ultimate Force

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13.Ashbury- Eye of The Stygian Witches

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12.Satan-Cruel Magic

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11.Riot V- Armor Of Light

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10.Uncle Acid & The Deadbeats- Wasteland

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9.Visigoth- Conquerors Oath

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8.Uriah Heep-Living The Dream

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7.Haunt- Burst Into Flame

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6.LeathurBitch- S/T

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5.Saxon- Thunderbolt

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4.The Night Flight Orchestra- Sometimes The World Ain’t Enough

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3.Phil Campbell & The Bastard Sons- The Age Of Absurdity

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2. Judas Priest- Firepower

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1.Carriage- Visions

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Anyone who has been following my site for awhile knows that when Carriage played at Legions of Metal 2017, that I knew there was something very special about this band. Lo and behold as soon as their debut album entitled “Visions” was released, I knew this was the album to top the year. From the chemistry of the band to the rock solid songwriting, these guys have arrived with a bang and are out for blood.