Black Sabbath: Every album ranked

 

 

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Black Sabbath will always be known for being the “first ever Heavy Metal band”. Now whether that is true or not, it is certain that Sabbath are incredibly influential and their status cannot be ignored. For having a staggering 19 albums, I was always interested to see what differed between all of them and see if there was any that perhaps didn’t receive the respect I feel they deserved. This is pretty much when I decided to rank every Sabbath release based on my thoughts. Not popularity, sales charts or any of that. This is based on how I have felt about these albums when I listen to them and whether the content on each really hits me. So without further ado, here is every Black Sabbath album ranked in my opinion from last to first!

19.Never Say Die!

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Never Say Die! is the final Sabbath album of the 70’s and the last featuring the original lineup for a long long time. After listening to it again after awhile I see why I never really came back to this album. It feels like a very cloudy album that has a few good riffs and a good title track but the majority of the album is filler material that never really hits home.

18.13

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We fast forward to 2013 for (mostly) an original lineup reunion for the extremely anticipated 13. At first when I heard this album, I loved it and thought it was a terrific return to form but after a long period of not listening to this album, those thoughts have steered very much so. This album is pretty much as paint by numbers as possible especially with tracks like “End Of The Beginning” and “Loner”. The track “Damaged Soul” was pretty much the only song I felt was worth going back to mainly for the solo.

17.Technical Ecstasy

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Technical Ecstasy is definitely when Sabbath showed their more classic rock sound and spawned a few good tracks like “Rock N Roll Doctor” and “Dirty Women” but is bogged down by the potentially good but weak “Back Street Kids” and the Beatles sounding “It’s Alright”.

16.Cross Purposes

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Cross Purposes is one of the Darkest slabs of material in their whole discography. One of the last albums featuring Tony Martin, this album opens with a real ripper “I Witness” and other highlights include “Virtual Death” as well as others. Unfortunately the production is a bit stale compared to a few albums before.

15.Forbidden

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Ahh Forbidden, the album Sabbath fans love to hate. Honestly this album I could never understand why people hated it so much. While the material isn’t exactly as powerful sounding mostly throughout, there are some great cuts here like “Guilty as Hell”, “Get A Trip” and the insanely epic “Kiss Of Death”.

14.Paranoid

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Honestly who doesn’t know Paranoid? The album and the title track are so undeniably recognizable they have become etched in rock and metal history. However, this album for me is a classic case of being burned out. While I get a kick out of hearing live versions of “War Pigs” and “Fairies Wear Boots”, I am just utterly tired of the studio versions of these songs. I know some may call it utterly blasphemous to have this album lower than some others but after going through the next thirteen albums, I found things in those that I found really enjoyable more than “Paranoid” has become to me.

13.Seventh Star

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Even though this album is suppose to be Iommi’s solo output, it has the Sabbath name on it thus it is etched in the bands history. While the sound of this album steers way harder toward melodic 80’s Hard Rock, it has a lot of really catchy tunes and features none other than the man Glenn Hughes! Opening with the high energy “In For The Kill”, this album goes right for the throat and is a great time all around. From killer tunes like “Turn To Stone” and “Danger Zone”, this album is one of the definitions of misunderstood!

 

12.Black Sabbath

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The album that started it all truly. It was really a triumph in the small amount of the time the band had to record this album in how well it turned out for them. However, while songs “N.I.B” the title track and “The Wizard” are terrific songs, this album always felt a bit disjointed to me for some reason. Compared to other records at the time it also doesn’t hit me as hard considering I heard most of this album via greatest hits albums so when I first heard the full release when I was younger, I never got that wow feeling I feel a lot of others got.

11.TYR

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TYR was the third album to feature Tony Martin on vocals and was a great addition to the more epic style the band had achieved on Eternal Idol and Headless Cross. The album definitely has more of a concept record feel to it which I believe Iommi was going for at the time as well. The opening track “Anno Mundi” is an epic six minute opener with keyboard riffs and vocal harmonies galore. “The Law Maker” is a glorious ripper of a song as well.. Other key tracks include “The Sabbath Stones” and “Valhalla” but unfortunately some tracks feel very filler as well.

10.Eternal Idol

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This album marked a new era for the band with Martin taking over vocal duties after lineup changes shifted once again. This was a perfect introduction to his inclusion with terrific cuts such as “The Shining”, “Born To Lose” and the epic “Glory Ride” which is one of my top Sabbath tunes of all time. The only songs that feel filler are “Ancient Warrior” and the title track.

9.VOL.4

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Sabbath go from weed induced to cocaine induced for Vol. 4. One of their most popular records, Vol. 4 takes the heaviness of Master of Reality and adds a bit more of a prog feel to it. The result is partially mixed with classics like “SnowBlind” “Tomorrows Dreams” and the crushing “Under The Sun”, there are still certainly a lot of fillers such as the needless “FX” and “St. Vitus Dance” which always felt undeveloped as well. This album certainly has always been a tad mixed personally but the good songs are REALLY good when they want to be.

8.Sabotage

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Ozzy has never sounded so damn angry than this album. The band really go for an aggressive approach here and for what I felt was the last terrific Ozzy era album. From the terrific opener “Hole In The Sky” to the proto speed metal feel of “Symptom Of The Universe” to the epic “Megalomaniac”, this album is terrifically written. The only song that felt totally out of place for me was “Am I Going Insane?” which kind of derails the album near the end before “The Writ” picks things back up.

7.Headless Cross

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Easily the Martin era’s crowning achievement, Headless Cross I feel has always deserved so much more credit than it has ever received. From the title track that could rival the epicness of “Heaven and Hell” to songs like “When Death Calls” which features Brian May of Queen, to the epic fist pumping “Devil And Daughter” to the really catchy “Kill In The Spirit World” and pretty much every song on. The band truly were on a fantastic streak with this undiscovered classic.

6.Dehumanizer

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Dehumanizer is one of the more interesting Black Sabbath albums as it reunited the “Mob Rules” lineup with Dio back at the helm and pretty much revitalized Sabbaths popularity overnight. It didn’t last long as after this album we received more Martin sung material but holy hell the album we received here was magnificent. While definitely more doom oriented than the first two more NWOBHM inspired Dio albums, this album still has the riffs and magic in spades. With crushing opener “Computer God” to “After All/ The Dead” to my favorite “TV Crimes” and even tracks later in the album such as “I” and “Buried Alive, this was a terrific reunion album.

5.Sabbath Bloody Sabbath

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This is where 70’s Sabbath really came into the more creative songwriting and what a monolith of an album this is. Some of my favorites include the eternal ground shaking title track to the heavy and dark “National Acrobat” to the swaggering “Sabra Cadabra” and the almost hypnotizing “Who Are You”. However, the whole album is a great listening experience.

4.Heaven And Hell

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The first album Dio recorded with Black Sabbath and showed a shift in sound to straight forward Heavy Metal. This is the part in this list where every album here is pretty much flawless so I will keep it short by saying this album is one of the greatest comebacks for any band period.

3.Mob Rules

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Sabbath go for round two in the early eighties and come out with an album arguably heavier than the last. The style is similar to the first album but the production feels a bit more crisp and the bass oh the bass on this album is devilishly good. Top notch!

2.Master Of Reality

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This is the essential Ozzy era album as it pretty much defined the sound for what would become “Stoner Metal”. This was the most solid collection of songs the band had and was in my opinion miles ahead from the first two albums in terms of what the band was capable of in such a short amount of time. Plus we got “Into The Void” one of the heaviest songs to ever grace the earth and for that alone this album deserves to be this high.

1.Born Again

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And number one goes to Born Again! A controversial pick for sure but for me this is the heaviest yet catchiest Sabbath ever got. Featuring the one time gig for my all time favorite vocalist Ian Gillan, he lets out some of his most ear shattering and impressive vocal performances here more than anywhere else. Opening with the classic “Trashed” going into the very dark “Disturbing The Priest” paired with the epic “Zero The Hero” and into the last half of the album featuring some prime cuts like “Digital Bitch” and “Hot Line”, this album hits you in the face and never lets go. The production also never really bothered me in fact it always enhanced it for me for how just different it sounds I suppose. Especially when the solo’s hit it feels like such an assault with the guitars being super distorted it sounds like Iommi going straight for the throat. All this combined has made this my favorite Sabbath release in recent times to go back to over and over and I always have a good time doing it!

Album Review: Redd Barron- The Barron’s Here To Rock

 

 

So many bands over the past decades have been lost to the sands of time with their numerous demo’s and unreleased songs being forever lost and unknown to would be fans. Redd Barron are a perfect case as their early 1990 demo’s could be found with a search on the internet but never given a proper release. For a long time I suppose they were just another Chicago band lost in time. I had heard of these guys roughly around a year ago after a long night researching long time Chicago acts and found their brand of melodic Hard Rock very enjoyable and catchy. Minus the rough production, these guys could well Rock! However, we finally see with their announcement of a reunion at this years Legions Of Metal, a proper release of all their material compiled into one album via the terrific Heaven & Hell Records.

 

Opening with the title track, right away you can get the exact sound these guys were going for. That melodic Hard Rock sound that, in 1984, could’ve catapulted these guys to an actual album deal.  The album overall is very consistent sticking with the same style throughout and many catchy songs. Songs like “Living Our Life For Rock” I could have seen on MTV in the early 80’s easily. Another favorite early on is “Dow Jones” which has some very heavy guitar melodies that carry the song through and make for a nice gem of a tune. “Blind Date” also has some nice aggressive yet simplistic guitar playing as well. Vocalist Brian Lee really completes the band and his vocals coupled with the simplistic mid paced Hard Rocking instrumentation almost give off like a working man version of Dokken. Essentially without all the flash, that is what these guys remind me of which isn’t uncommon as a lot of the bands from that time sounded similar. “Burning Cities” is where the band go more into a straight Heavy Metal mode and play it off well. This is another song that again if it were ever given a chance with a more sleek production, it would be massive sounding.  This is also the track where the album is in it’s other batch of demo’s but besides production being a bit more rough, these tracks work well enough with the original six tracks. Tracks like “Shadows” and “Search For Love” definitely show the band really had chops and rightfully deserved a spot in the scene. Finally we see the finale of “Kill Or Be Killed” which is one of the most anthemic songs on the album and one I can’t wait to hear live as well.

Overall, while the music isn’t completely original nor complex, this is a fantastic collection of catchy written melodic Hard Rock that I guarantee a lot of Heavy Metal/Hard Rock fans haven’t heard. It is also a great album to have for anyone interested in the Chicago metal scene as well. Redd Barron have taken flight once more and it is great to see their music properly see the light of day!

Heavy Load have released a teaser of new song “Walhalla Warriors”

 

After Heavy Load announced their return to the music scene, many wondered if they would ever produce new music. Well the wait is over as the band have released a demo of the first half of the track “Walhalla Warriors” off of an upcoming album due in 2019. It definitely has a good heavy mid pace and feels like the production for the demo anyway is similar to their albums way back when. However, it is just nice to see such a cult band come back to life. Check out the new song above!

Show Review: Saxon live at Reggies, Chicago IL 04/01/18

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Banging drums, soaring guitars and…..Candy? That’s exactly what we got at the Saxon show on Easter Sunday in Chicago! First of all this goes with saying, this show was already going to be killer from the start. Considering two of my favorite Chicago bands were included along with one of my all time favorite bands of all time, this was an easy show to say yes to.

Shokker

Opening the show was Chicago’s own Shokker. They were definitely a good band to open up the show with their powerhouse sound that recalls the classic era of Heavy Metal. Casey Tremont’s hard hitting guitar playing was terrific along with vocalist Rachl Quinn’s soaring vocals. Easily one of the best female vocalists I’ve seen live in terms of range and charisma. The whole band overall was very tight and energetic pulling songs from their terrific debut “III” and even a blistering faithful cover of “Bark At The Moon”. I honestly would have loved to see them higher on the bill and hope to see them many more times.

Pipe

Pipe were up next and definitely had the most “interesting” stage setup with bong props and marijuana flags draped over their equipment which I felt was a bit overkill. The overall sound of the band was very simplistic hard rock akin to 90’s groups like Godsmack. However, I feel like they didn’t fit with this bill much and personally, I feel they played way too long. They just had a somewhat dull sound to me it just didn’t have the energy every other band clearly had in spades. Just not a good fit to the bill in my opinion.

Scars of Armageddon

This was my third time seeing these guys rip it up on stage and they never disappoint. their brand of epic progressive metal is done so well in the sense that it doesn’t get too repetitive or dull live and they know how to keep the energy up. However, the only thing that sucked about this performance was that they were only able to play three songs but I feel they made their point perfectly as much as they could in that short time slot.

Saxon

And finally, it was time for the Brits to invade Chicago once again. I have seen Saxon twice before in a large venue and small venue and I have to say this was the best they’ve sounded and played thus far. The sound even up front was super crisp with Nigel Glocklers tight drumming blending perfectly with both guitarists as well as Biff who was in top form singing every high and low note with ease. The only casualty was Paul Quinn bleeding almost the whole set all over hist strings but he played it off all night quite well even if he was more focused on playing than anything. Nibbs Carter I will always consider Saxon’s second front man as he is just as energetic as Biff perhaps more. The band played a wide range of songs with the new album being a large focus with I believe at least half of it being played. Where with some bands this can be way over doing it, Saxon are not afraid to let new songs shine and every song sounded as classic as the classics themselves. One of the biggest highlights was the band doing “Predator” with Nibbs handling the death metal growling vocals it was great to see them bring that one to stage. The band of course played all the classics (Power and The Glory, Dallas 1PM, Wheels of Steel” etc.”) and played an impressive two hour set that only they could match. The best moment personally was watching Biff wear my vest during Denim and Leather. It was just one of those moments as a fan that I’ll personally never forget.

Overall, this was a no brainer show for me personally and easily the best show i’ve seen them put on as well as the bands mentioned above(well mostly). Saxon always put on the great live show and even if you aren’t a huge Heavy Metal fan, they are just a great band musically to see live. The energy, the history and the whole vibe that carries on through their performance spanning forty years of hard hitting music really is worth it. Even when the band throws candy into the crowd at the end as a little easter joke, it is just a funny memory that adds to a great evening of music.

Album Review: Judas Priest- FirePower

 

Judas Priest are a band that need no introduction. They are one of the most revolutionary acts in both Rock and Heavy Metal music as we know it today. And here we are with the band actually nearing their 50th anniversary since formed(although no members from that line up exist at this time) and they are pushing out their 18th studio album entitled “Firepower”. A very anticipated record indeed since the release of their 2014 cut “Redeemer of Souls” which I still enjoy to this day even though the record felt a bit bloated and inconsistent with production in spots. However, with classic Priest producer Tom Allom and Accept revivalist Andy Sneap at the helm, can they bounce the band back to sounding like absolute monsters once again?

Right off the bat, we see the title track coupled with “Lightning Strike” showing that Priest sound heavy and fresh on record again. The guitars are extremely crisp with the low end really holding down the songs creating an all around bigger sound. Ian Hills bass on the record as a whole is a lot more present but not overwhelming as it should sound. Halford, what can you say. He sounds fresh and full of life especially on songs like “Evil Never Dies” with some very evil and shrill vocals styles throughout the chorus. Some of the songs presented on this album are just as good as cuts on Painkiller. Songs like the epic almost power metal-esque “Traitors Gate” show Priest at their absolute best. Even songs like “Spectre” which even has a bit of a “Ripper” feel to it but still feels fresh and energetic. The album does have a modern feel throughout with songs like the heavy and very catchy “Necromancer” and the more hard rocking and almost sludgy sounding “Lone Wolf”. However, the classic sounds are still present with songs like “Never The Heroes” which could have been on “Ram It Down” or even “Flame Thrower” which sounds like a cut off of “Defenders Of The Faith”. However, the biggest and greatest fact about this album is that these songs, coupled with the absolute lively and sleek yet organic production really give Priest a fresh sound they need this far along. The band sounds ten times more powerful and alive than they did four years ago. Even on slower mid paced songs like “Children Of The Sun” and “Rising From Ruins” coupled with the excellent and emotional opening instrumental “Guardians” really hold their own as well with such power and emotion conveyed through them. Another favorite of mine is “No Surrender” which has a very up beat rocking feel and is one of the most energetic songs on the album. Even the album closing ballad “Sea Of Red” is a fitting end to this juggernaut of a record. Simply put, there really are no bad songs on this album. Through my near twentieth full listen, no song has grown tired for me. The soloing is lively and even with Faulkner’s solos feeling a lot more organic on this record and Glenn still giving it all he’s got this late in the game it really is a feat considering his recent decision to cut out touring(instead we will see Andy Sneap slinging his axe on stage). It really is sad to see but if this is the last record from the almighty Priest, then it is possibly the best way the band could go out.

Overall, I have to say that this album is easily an early contender for album of the year. This is easily the best modern Priest album and although it  honestly is more of just straight forward Heavy Metal with no real surprises, the music that is presented has so much life and substance to it with the band really giving it their all. Don’t miss out on this record and even though we won’t see the same line up as presented here, the shows will still be great and hopefully they pull a lot from this record, it is a beast!

Album Review: Sacred Leather- Ultimate Force

Sacred Leather

This album has been heavily anticipated for me ever since I first saw the band back at Legions of Metal last year. With their brash, very macho and very faithful sounding brand of heavy metal, I was really curious how they would bring that to their first full length record. Simply put, they deliver in spades.

With the blistering and anthemic opening title track, the band brings their A game both i  production and playing. The production is raw but with the right amount of shine to keep the album sounding muddy or unfocused. Next comes the very Mercyful Fate-ish “Watcher” that’s very catchy with a chorus to be reckoned with. One of my favorite tracks on the album “Power Thrust” is a mid tempo, dirty rocker that just screams the mid 80’s in both structure and sound. The lead breaks almost feel like Glenn and KK from Priest in their hey day it is that faithful sounding. It is also another tune that is catchy as well with dirty low backup vocals that further amplify hows badass this song is. Next is the more serious toned ballad “Dream Searcher” which is performed in good taste with a lot of melody throughout. It is a nice change of pace and shows the band exploring some more somber sounds. Although this song is a lot longer, I could have seen it being a tune to rival a lot of Power Ballads in the 80’s. Next up is the incredibly upbeat “Master Is Calling” which has a really nice build to it.  This shows the band firing on all cylinders especially with the blazing guitar soloing throughout. Next up is undoubtedly my biggest highlight on the album “Prowling Sinner” which is the most energetic track on the album easily with its galloping rhythm and huge yet simple chorus. This is the one song that if I had to recommend any from the band, this would be it. Finally, the band caps the album off with “The Lost Destructor/ Priest Of The Undoer” which is definitely the most one of the more complex songs on the album. Being more mid tempo, this track still manages to be catchy and heavy as well as a decent closer with some somber moments toward the end to mix it up a bit.

Overall, this is a solid offering of American forged classic Heavy Metal in the modern day. As simple as the album is, it is hard to deny the charm it has with the band really nailing that very sleek yet raw sound of the early to mid 1980’s especially in the guitar soloing and intense vocals that never let up. The musicianship is spot on and simply put, its Heavy Fucking Metal and if that is your thing, you should have this album in your collection. Sacred Leather is a band I would like to see stick around for a long time as this is easily one of the best of the year, 9/10.

Album Review: Razorbats: II

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The first time I heard Razorbats was when they released the track of their first album (Camp Rock) entitled “Kids of The 70’s” and I though the Ramones-ish sound the band had going on was fun but I felt they could go further with the sound they had. When I got around to listen to their second release I found that the band had done just that.

With the album cover having this late 70’s almost glam rock feel, I felt the band would go for the more melodic side but they actually balance the harder rock edge and the melody nearly perfectly here. The album opens with “The Waiting” which retains that punkish sound but I have to say the vocals are noticeably more strong this time around with the production also being a ton sharper. It’s a fun opening track and leads nicely into the grooving hard rocking tune “Take It Out On The Road” which has almost a bit an 80’s pop rock feel through the bridge and chorus which I dig a lot. One of the best songs on the whole album has to be “Social Rejects” which is just seething with energy all the way through. “Dead Boy City” is the only track that feels a bit boring to me especially after coming off the energy of the last few songs. However, the energy picks back up with “Bad Teacher” which has an almost Cheap Trick mixed with ACDC kind of feel. “Nowhere” keeps the energy at max with the band creating a very anthem-like song and one that would work great in a live setting. “Sister Siberia” is a total melodic/AOR song which is another major highlight on the album. “Going Underground” has some nice organic guitar work throughout that I dig and retains that punk mentality in its roots. “Send In The Clowns” and “Talk All Night” both end the album fairly well with the final track being a softer rock ballad that is a lot better done I feel than “Dead Boy City” is.

Overall, I think this album is a fun Hard Rock album that definitely will be an enjoying one to cruise around with in the summer time. With the band retaining their hard punk like sound but injecting more melody and solid musicianship, they manage to create an album that is simple but will definitely be one that if it’s on, then it has to be played at 10.