Album Review: Razorbats: II

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The first time I heard Razorbats was when they released the track of their first album (Camp Rock) entitled “Kids of The 70’s” and I though the Ramones-ish sound the band had going on was fun but I felt they could go further with the sound they had. When I got around to listen to their second release I found that the band had done just that.

With the album cover having this late 70’s almost glam rock feel, I felt the band would go for the more melodic side but they actually balance the harder rock edge and the melody nearly perfectly here. The album opens with “The Waiting” which retains that punkish sound but I have to say the vocals are noticeably more strong this time around with the production also being a ton sharper. It’s a fun opening track and leads nicely into the grooving hard rocking tune “Take It Out On The Road” which has almost a bit an 80’s pop rock feel through the bridge and chorus which I dig a lot. One of the best songs on the whole album has to be “Social Rejects” which is just seething with energy all the way through. “Dead Boy City” is the only track that feels a bit boring to me especially after coming off the energy of the last few songs. However, the energy picks back up with “Bad Teacher” which has an almost Cheap Trick mixed with ACDC kind of feel. “Nowhere” keeps the energy at max with the band creating a very anthem-like song and one that would work great in a live setting. “Sister Siberia” is a total melodic/AOR song which is another major highlight on the album. “Going Underground” has some nice organic guitar work throughout that I dig and retains that punk mentality in its roots. “Send In The Clowns” and “Talk All Night” both end the album fairly well with the final track being a softer rock ballad that is a lot better done I feel than “Dead Boy City” is.

Overall, I think this album is a fun Hard Rock album that definitely will be an enjoying one to cruise around with in the summer time. With the band retaining their hard punk like sound but injecting more melody and solid musicianship, they manage to create an album that is simple but will definitely be one that if it’s on, then it has to be played at 10.

 

Album Review- Saxon: Thunderbolt

 

Saxon are back with their twenty second studio effort entitled “Thunderbolt” and once again have brought another solid offering of Heavy Metal numbers that will please old school fans as well as newer fans of this generation. Now obviously its no spoiler as Saxon have been on a steady run of quality work for the past few years. However, I feel this album sticks out a bit more than say “Battering Ram” or even the very quality output “Sacrifice”. Opening with the very atmospheric instrumental “Olympus Rising” we see the band head into the title track which at first didn’t grab me as hard but after repeated listens it just amazes me that the band still sounds so visceral and tight. Biffs vocals are still just as powerful with his older age adding a bit more grit throughout the years. The band then heads into another high energetic number with “The Secret Of Flight” keeping up the epic pace with almost borderline Power Metal influences.

The track “Nosferatu(The Vampire’s Waltz)” has this awesome Gothic undertone with a haunting chorus throughout and works for Saxon I think it is something different that keeps your attention throughout. Probably the most emotional track on the album is “They Played Rock N Roll” in the sense of being dedicated to Motorhead and played in the true Motorhead Punk/Speed fashion. It is a great testament to the band considering no members of the classic line up are with us anymore. With the next few songs the ban really focus on keeping the consistency on Heavy grooving traditional driven cuts with the mid paced but catchy “Predator” with some death metal vocals that actually work quite well for the tempo and overall character of the song. “Sons Of Odin” has this old school epic metal sing along feel to it I really like that we once got from the likes of acts like Dio. the latter part of the album keeps up with more galloping riffs in songs like “Sniper”, “A Wizard’s Tale” and the almost throwback to “Motorcycle Man”: Speed Merchants. this song is just as lethal and is one of my favorites presented and shows Saxons roots at its full extent. Finally, we have “Roadie’s Song” which is a good closing mid paced classic sounding track that caps of a very consistent album.

Saxon are like bands Accept and a few others in that they can release many albums this late in their career with a sound that honestly doesn’t change much. For some bands has become a death knell in the sense of my interest of their new releases becoming less and less each time. However Saxon accomplishes to keep this album more fresh with a good amount of creativity put into alot of these songs with the classic sounds, more experimental moments and some welcomed surprises. I’d say this is a strong output and will be able to please just about any Saxon fan out there.

Geordie: A Retrospective

 

 

Some groups in the history of Rock music tend to go overshadowed especially when a member becomes part of a much larger and established act. An absolute perfect example of this the band out of Newcastle, England known as Geordie. Forming around 1972, the group would release a string of albums throughout the 1970’s beginning with “Hope You Like It” and ending with “No Sweat” in 1983. However the bands most notable work was the four albums performed with Brian Johnson as their lead vocalist. Johnson of course is known as being the vocalist of my personal favorite band of all time ACDC from 1980 until 2016. However, I have always been surprised that it had taken me so long to listen to his previous groups work as (spoiler alert) it is very quality blues driven hard rock from the seventies with every albums having some characteristics that are unique to each which makes for very refreshing listens throughout. So as this article is titled, I am going to take you through a short and sweet retrospective of one of Englands most underrated Hard Rock acts that deserve more credit than they are given.

 

Hope You Like It (1973)

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When I first heard Goerdie’s debut album, I didn’t think it was their debut as it has the sound of a well oiled seasoned machine. The band crafted a sound right from the get go that would essentially be their establish go to sound for future releases. Right from the start with the groovy “Keep On Rockin'” does the band go for throat with their blues driven sound with Johnson even using his signature higher pitched snarl throughout that he’s become famous for years later. The band then rolls right into”Give You Till Monday” with the main focus of straight ahead power chord riffing mixing with some subtle melody proving simplicity can be best when done right. The title track is a more sing along tune with the vocals being presented more in a softer and slick way. it is also one of the first songs where we see a lot of bridging vocal and guitar melodies that really drive the song. Songs like “Don’t Do That” and “All Because Of You” continue that bluesy pub Rock sound that personally doesn’t get old as the band plays it really tight and with a lot of enthusiasm. One of the best tunes on the album is”Old Time Rocker” which is actually more rockabilly oriented and it works really damn well and is a major highlight on the album. The album does mix softer songs in like “Oh Lord” that is a nice short change of pace before going back into the final stretch of the album. The final track which is a traditional song that the band worked in called “Geordies’s Lost His Liggie” is a funny and quirky way to end an extremely solid debut album. The reissued version actually includes six additional tracks including a personal favorite “Can You Do It” and “Geordie Stomp” among others making it the definitive version of this album. Geordie definitely set the bar high with their debut and a sophomore release was sure to follow as well.

Don’t Be Fooled By The Name (1974)

 

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Following their debut, Geordie quickly recorded and released their follow up album which has alot of the same character and strength the first album had with the main focus being blues based riffing through out. From the heavy and singable “Goin’ Down” to “Mercenary Man” with its rock solid riffing that also hides melodic undertones within Johnsons softer vocal deliveries. One of my favorites presented here is “Ten Feet Tall” which has a very heavy rock presence but an almost psychedelic midsection that really works only for the song to have a very explosive end. There are riffs galore here and show how underrated Vic Malcolm is as a guitar player. He plays with such ferocity yet can dial it back for some nice cleaner more melodic tones as well.  However the subtle variation is very welcome with the presence of keyboards in songs like the mellow yet welcoming ballad “Little Boy” and “Got To Know” which is personally my favorite song on the album with how upbeat and bouncy the rhythm is it just grooves through in and through out. Now of course the album is possibly most well known for the bands cover of “House Of The Rising Sun” and it is probably my favorite version of the song with the low droning humming throughout and Brians vocals going from clean to his signature snarl works so well. Overall, this album is a true unsung rock masterpiece and it is a shame more people don’t know of it as it has a lot of staying power and memorable moments throughout.

Save The World (1976)

 

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As Geordie went into creating their third album, the band had progressed their sound a bit more to a more pop rock oriented sound. I feel like out of all their albums up to this point, this one has the tag “Glam Rock” tied to it mostly. While a lot of the songs still retain their catchy Blues driven Hard Rock sound, they have a bit more upbeat feeling to them which isn’t necessarily a bad thing. The band still sound as lively as ever right from the beginning notes of the very catchy and bouncy “Mama’s Gonna Take You Home” into one of my favorite songs the band has ever recorded “She’s a Teaser” which is complete with a horn section adding a lot to the song. There are even some hints of disco in the song “Goodbye Love” which at first I was taken back from as it goes for a less heavy sound to it. But after multiple listens it is a great bouncy rock tune that really sticks in your head and is one of the highlights on the album. Another highlight is the song “She’s A Lady” which is a straight Glam Rock number that is put together oh so well. Now obviously with this slightly tweaked sound, the album has a bit more of a commercial feel than the previous two but it still rocks with a bit of a pop flare and it works. The heavy moments are still present especially in songs like the grooving, guitar phaser driven “Save The World” and the incredibly heavy “Fire Queen” which is possibly the best song on the album. Although the album has a bit of a softer edge in spots, it still rocks hard when it wants to and the band has a lot of charisma as this would be possibly the last album with a stable line up as the next would feature more revolving musicians.

No Good Woman (1978)

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This album features brand new vocalist Dave Ditchburn with Johnson having only recorded a few key tracks before leaving the band and soon enough landing at the doorstep for AC/DC and the rest would be history…But anyway, back to the album. While the opener and title track has a good groove to it with some nice keyboard presence, the production feels a bit too heavy on the bass side as it makes the whole band feel a bit too laid back. It’s catchy but lacks that shot of charisma every album before had. However “Going To The City” quickly picks up the pace with Johnson back on vocals. You can definitely see the difference between both line ups as this track has so much more energy. Now “Wonder Song” does have a heavier tone to it akin to later Deep Purple and it really works well but the vocals just feel a bit underdeveloped. Ditchburn just sounds like he doesn’t have the range or the character in his voice or at least not enough of it. Honestly, the inconsistency I think is was kills this album a bit. With the focus shifting between both vocalists, it goes from powerful to laid back to up beat and in your face and then swings back to the bass heavy almost lounge rock sound the current line up had. If this was a whole album recorded with Ditchburn I feel I would accept it as is more but with it switching back and forth, it makes you wish Johnson was on the whole record. Now there are some good songs they recorded with Dave at the vocals including the groovy “Give It All You Got” and the bouncy “Show Business” which is another that gets stuck in my head. Overall, the album is good but not great like the rest of the bands discography to me anyways. It felt like the band lost their signature voice and were trying to find sort of a new sound. However I will mention the No Sweat album only briefly as the band definitely seemed to take a bit of a hint from NWOBHM group Saxon as they has a slicker heavier sound than they ever had before. Unfortunately the album failed to generate a buzz for Geordie who had been around for ten years at this point and they slowly faded into the halls of relative obscurity besides the minds of hardcore fans and/or ACDC completionists.

However, as we get further down the years, Geordie are a band that deserves to be remembered as having an arsenal of rock anthems that deserves to be dug out of the basement and heard by the masses. With enough swagger to push around the hardest rocking bands at the time but the accessibility of any songs on the radio at the time, Geordie’s music  is a great time all around and will always be. If you can find these albums I highly recommend it, they deserve to be cranked and rocked til the sun comes up.

 

What is exactly going on for 2018?

Well here is something strange, an actual post. Now I know that there hasnt been a real review or any articles since the end of november and thats sort of because I have gotten burnt out a bit on trying to keep up on the site. This doesn’t ,mean the site is going away by any means. However, there needs to be some major changes and this stem from my reviews mainly. This year I am going to focus more on older releases and things like that. It also stem from the fact that I feel I have been writing the same reviews over and over as well so this year will be more on not more obscure albums but the keyword is different. AOR, more somber Hard Rock and straight rock music will be more strongly represented this year just to give a bit more of a new flavor to the site. Now I will obviously look at new albums from Judas Priest and Saxon as well as a few other hotter albums for the year. the content will also be more spread out over time as well. I hope you all enjoy the slight new take and still enjoy the content presented on Glistening Metal over 2018!

Top 20 albums of 2017

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2017 was a fantastic year for Hard Rock and Heavy Metal music. Albums were released left and right this year and as much as I wanted to include every album I heard this year as they mostly had a good level of quality to them, I narrowed it down to twenty. At the bottom I give my short list of honorable mentions of albums you should still check out but here is my top twenty of 2017.

 

                                               1. Night Demon- Darkness Remains

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-What can I say that I haven’t already said about this album. This to me is as good as a traditional Heavy Metal album can be in 2017. The chemistry between Jarvis, Armand and Dusty cannot be understated and are a trio to be reckoned with.

                                                     2. Mythra- Still Burning

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An album nearly forty years in the making and it delivers on all fronts. With Vince Highs rough rock n roll vocals still in tact and the instrumentation being very tight and memorable, this is a modern day NWOBHM classic.

                                         3. Night Flight Orchestra- Amber Galactic

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This album was my biggest surprise of the year. This album takes the sound of 80’s FM radio AOR and makes a modern classic out of that sound. This was my ideal summertime album and doesn’t have one bad song on it.

                                                               4.Venom Inc- Ave

-For many the return of the real Venom. This album boasts two thirds of the original line up with Tony Dolan of the underrated “Prime Evil” line up. The album balances more modern heaviness with the more raw sound the band was known for at the start. An album that doesn’t disappoint on getting your old school Black Metal mix

                                                      5. Stallion- From The Dead

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Another modern day Traditional Heavy Metal album that has power and guts. Stallion took the sound from their first album and made it even better somehow. With more speed, progression and just an overall fun atmosphere, this is another album that should be in your stereo!

                                             6.Crystal Viper- Queen Of The Witches

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Another excellent Traditional Metal release this year with solid writing with heavy songs and more somber emotional takes as well. Also look for some very cool guest appearances as well!

                                                         7.Tytan- Justice Served!

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Another long awaited NWOBHM release is the sophomore effort by Tytan. A great fun album with a lot of high points that will leave fans of the band satisfied.

 

                                                                    8.Shokker-III

shokker-3Chicago’s own Shokkers first debut and its still a very hot release. The albums has a bit of old school and new school thrown in for a good fun experience. Fans of Y&T and that older Hard Rock style will appreciate this album.

 

                                                      9.Hexx- Wrath Of The Reaper

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Hexx’s long awaited reunion album sort to speak. Alot of great songs are presented here and a very raw and lively production make this a must listen metal album.

 

                                      10.Jack Starr’s Burning Starr-Stand Your Ground

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Jack Starrs Bunring Starr have returned with another fine release to add to their catalog of old school Power Metal. Featuring some nice surprises even with an old outtake of the legendary Rhett Forrester included in one of the songs.

 

TOP 11

11. DUEL- Witchbanger

12. Air Raid- Across The Line

13. Savage Master-Creature of the Flames

14. Tbunderstick- Something Wicked This Way Comes

15. Ignitor- Haunted By Rock N Roll

16. Road Rash- Thunder In Paradise

17. EVO- Warfare

18. Vulture- The Guillotine

19. Resistance- Metal Machine

20. Gravedigger- Healed By Metal

 

And finally, here are just some of my albums I couldnt fit on the list but definitely deserve to heard and recognized.

Satans Hallow- S/T

Sleazer- Fall Into Disgrace

Hellwell- Behind The Demon’s Eyes

Mothership- High Strangeness

 

And there are my top albums of the past year. It really was a great year for new artists and fresh releases from the old guard as well. Here’s to a just as good 2018!

Album Review- Ignitor: Haunted By Rock N Roll

 

 

Ignitor, a band I have not been all too familiar with until recent years with first hearing their 2004 E.P and going on forward. Simply put, they are a band that plays classic Heavy Metal in vein of Manowar or even closer to early 80’s Judas Priest. Now, with a new album and probably one of my favorite album covers of the year, lets see what they bring to the table that perhaps stands apart from the other releases we have seen throughout the year.

From the first second, the album starts off with the crunchy “To Brave The War” which damn as a first impression is really a good song to start the album off with. It has some faster paced segments that really caught me off guard on first listen and are border line speed metal. It definitely is a song meant to be played live. The title track just screams classic metal a la Priest around 83-84 with some heavy palm muting in there as well. The band play very tight on this album and have a good set groove throughout especially on songs like “Heavy is the Head that Wears the Crown” with some more almost subtle power metal segments and one of my favorites the heavy grooving “Leather Forever”. The album does keep it relatively fresh balancing the mid tempo songs along with the more speed metal segments throughout rather well. T=However, the band really  kick into overdrive within the last two songs “Throw Them from a Cliff” and “Hung Drawn and Quartered”. They give more of that epic fist pumping metal tone through these two songs and it ends the album on a very high note.

Overall, this album gets a solid 8 out of 10. Besides a few quirks in the production that seem to drown out the vocals, the album does what it means to do relatively well. It delivers the structure of classic Heavy Metal in its more straightforward primal form however it captures a bit more of a modern sound that I think fans of more modern sounding metal acts could appreciate as well. It is definitely an album that is meant to be played driving at 90 miles an hour. Like many others, it doesn’t reinvent the wheel in any way, but it reminds us that Heavy Metal is suppose to be high energy fun music and these guys do it well in the modern day.

Rock In Peace Malcolm Young….

 

 

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Its around nine or ten at night. Your 9 year old self is flipping through the channels until you land on a VH1 Classic block of rock videos. A video for ACDC’s “Hells Bells” comes on and you are immediately intrigued. A hard rocking band embraces a dark lit stage with ecstatic Schoolboy guitarist Angus Young and  Beanie wearing Brian Johnson commanding front and center. However on the back line with a bright white Gretsch Falcon thumping his one leg to the beat was the long haired almost Ramones-esque looking Malcolm Young. As somber as he was, his presence always intrigued me. He would sit and bounce to the beat of the song and walk up with the equally solid rhythmic Cliff Williams for simple sounding back up vocals only to return right back to the back line of the stage. it was almost as if he was a machine playing to the song. This was my first taste of ever watching any live footage of this band in my life. I was familiar with them of course with hearing “Back In Black” very early in my youth but seeing how they were in a live sense was awe inspiring.

Soon enough, my first CD I ever bought was “Let There Be Rock” on vacation in Texas and hearing this album front to back with headphones was a memory I could never forget. I soon followed with buying every album, dvd or any thing I could get my hands on I was obsessed. Learning more and more about how Malcolm was essentially what really made the band tick was the best part as it was his dirty rough but simple rhythm playing was what caught my ears in the first place. Listening deeper and deeper it was easier to see how his playing held the band together, it was just that tight that he could play a riff and everyone would follow through. However, what he taught me most was sticking to your guns and don’t be afraid to do it. He kept the band from falling away from their hard rock roots all the way until he left the band in 2014. He was the reason I really wanted to pick up a guitar and just riff. While Angus was the flashier up front player that every lead guitarist wanted to be, Malcolm was the brains. He knew rhythm to a science and knew how make every song in their catalog really tick. Listen to earlier songs like “Overdose” and “Night Prowler” to later songs such as “Fire Your Guns” and even a majority of the songs of Stiff Upper Lip are led by those solid rhythm sections. And now he has left us and is playing that beat up Gretsch in the sky…

We’ll miss you Mal, the music is forever here and we’ll always remember you as one of the most solid rhythm guitarist to grace the earth. Rock In Peace from a true fan.